翻訳と辞書 Words near each other ・ Studio Collection 2000–2012 ・ Studio Comet ・ Studia Islamica ・ Studia Leibnitiana ・ Studia Linguarum ・ Studia Linguistica ・ Studia Logica ・ Studia Mathematica ・ Studia Neoaristotelica ・ Studia Patristica ・ Studia Phaenomenologica ・ Studia Socjologiczne ・ Studia theologica ・ Studiation Brown ・ Studie ・ Studie I ・ Studie II ・ Studien zu den Bogazkoy-Texten ・ Studien zu Fundmünzen der Antike ・ Studien zur Altägyptischen Kultur ・ Studienka ・ Studienkolleg ・ Studienrat ・ Studienstiftung ・ Studienzentrum Weikersheim ・ Studies for Cello (J.L. Duport) ・ Studies for Player Piano (Nancarrow) ・ Studies from an Eastern Home ・ Studies in African Music ・ Studies in American Indian Literatures Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Studie I ： ウィキペディア英語版 Studie I ''Studie I'' ((英語:Study I)) is an electronic music composition by Karlheinz Stockhausen from the year 1953. It lasts 9 minutes 42 seconds and, together with his ''Studie II'', comprises his work number ("opus") 3. ==History== The composition was created in the Cologne Studio for Electronic Musik of the NWDR between July and November 1953 . In the final stages of editing, Stockhausen commemorated the birth of his first daughter, Suja, on 25 September 1953 by inserting a "serially unauthorized" 108 Hz (in a phrase attributed to Richard Toop), "'one-gun salute'" . The world premiere took place in Cologne on 19 October 1954 in the concert series Musik der Zeit, together with Stockhausen’s ''Studie II'' and works by Henri Pousseur, Karel Goeyvaerts, Herbert Eimert, and Paul Gredinger . The work was important amongst other reasons because it was made (as were the works by Pousseur, Goeyvaerts, and Gredinger) not with the use of (electronic) instruments, like the Trautonium or Melochord, but rather out of pure sine tones. For the first time, complete compositional control was achieved, even over timbre. The ideal was to produce each sound synthetically and thus separately determined in its details: "The conscious organization of music extends to the micro-acoustic sphere of the sound material itself" (; ). It is serially organized on all musical levels (; ). Unlike ''Studie II'', the score has never been published, apart from the first page as an illustration to Stockhausen's analysis of the piece (; ). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Studie I」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.